ᴛʜᴇ ɢᴀʟᴀxʏ's ɢʀᴇᴀᴛᴇsᴛ ᴛʜɪᴇғ. (
haikus) wrote in
capeandcowl2012-04-11 01:23 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
video;
You know, there are benefits to getting whisked off to another dimension. I didn't really think so at first, but... I'm coming around.
[here'sKasumi Yoko, strolling around the aisles of a musty looking little bookstore. every now and again she pulls a book from its shelf, flips through the pages briefly, and puts it back. the way she handles them is almost fond.]
The books don't cost you an arm and a leg here, for one.
[she picks another one off the shelf - Dracula, for the sharp-eyed.]
Of course, there's always the holos and vids if you're hard up for something to do on a Saturday night, but... it just isn't the same. Not like a real book. Pages and ink.
[a beat. wryly:]
Still not worth the small fortune you'd need to get your hands on one, but that's what we have alternate universes for.
[she adds Dracula to the growing stack under her arm, juggling the comm a few times between her hands to pull it off. in the end she manages a free hand to give the network a proper profile, and for those familiar with Kasumi Goto, this is a Japanese woman with short black hair, green eyes, and no lip tattoo. her voice is pitched just differently enough to not be immediately recognizable. she's unremarkable, almost to the point of being generic.
that's how she likes it.]
Oh, right. Yoko Okuda.
[throughout the whole thing, she's been kind of casually cheerful, and it doesn't change now - her mouth quirks into a small smile.]
I'm new.
[here's
The books don't cost you an arm and a leg here, for one.
[she picks another one off the shelf - Dracula, for the sharp-eyed.]
Of course, there's always the holos and vids if you're hard up for something to do on a Saturday night, but... it just isn't the same. Not like a real book. Pages and ink.
[a beat. wryly:]
Still not worth the small fortune you'd need to get your hands on one, but that's what we have alternate universes for.
[she adds Dracula to the growing stack under her arm, juggling the comm a few times between her hands to pull it off. in the end she manages a free hand to give the network a proper profile, and for those familiar with Kasumi Goto, this is a Japanese woman with short black hair, green eyes, and no lip tattoo. her voice is pitched just differently enough to not be immediately recognizable. she's unremarkable, almost to the point of being generic.
that's how she likes it.]
Oh, right. Yoko Okuda.
[throughout the whole thing, she's been kind of casually cheerful, and it doesn't change now - her mouth quirks into a small smile.]
I'm new.
permatext
[ that is a question btw ]
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
[voice]
[voice]
Now if you're looking for an Earth classic, that's where it gets... expensive.
[voice]
[voice]
[voice]
[voice]
[voice]
[pause]
If it's any consolation, there's a shop on 14th Street that says they've got something ridiculous like 7 miles worth of books. I've never, um, I've never brought anything to measure it, myself, but I've been here about a month and I still don't think I've made it through the entire thing.
[voice]
It's too bad we can't take any of this stuff back with us when we 'port out. You could make a killing off of seven miles of books back in Citadel space.
[permavoice]
(no subject)
permatext
no subject
The newer stuff can be alright, as long as you keep away from anything with "sordid" "thriller" or "politics" on the cover, but there's just something about the classics that makes them... special.
no subject
i do have a fondness for older titles myself.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
voice;
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
video;
Welcome to the City, Yoko.
video;
It's a lot easier than hunting a physical copy down, I'll admit. And you wouldn't believe the shipping between star systems. But there's something concrete about a hard copy, something immutable. You can't hack a book.
Thank you. I have to admit, going back a century before I was born is... interesting, to say the least.
video;
video;
video;
video;
video;
video;
Yoko...
The audios are better.
video;
I need something to do with my hands. Or else I get... fidgety.
video;
video;
no subject
no subject
[whoops, showing him the shitty harlequin romance novel aisle.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
video
[There's a brief pause, and she smiles. Just barely, the tiniest of smiles]
I wonder if there is a reason for your pseudonym, miss Okuda.
video
I was thinking of taking up writing.
[it turns sly.]
Maybe poetry.
video
video
[ voice ]
[ voice ]
[there's a shifting sound, like she's glancing through her books.]
I didn't think I'd grabbed one.
[ voice ]
[ voice ]
[ voice ] 1/2
[ voice ]
(voice.)
(voice.)
[a beat.]
...Then again, I don't remember this part in the history books.
(voice.)
(voice.)
(voice.)