DANGER (can't be put in the corner) (
heartlessglitch) wrote in
capeandcowl2013-03-15 07:22 pm
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Entry tags:
VIDEO
[ the robot named danger is unamused. there is what appears to be a golden basketball-shaped thing with wings and a long tail nestled on top of her head in her cable-dreads. judging by the way she folds her arms pointedly over her chest, it doesn't please her. ]
I require assistance.
My database lacks references for proper maintenance of this creature.
His classification is "golem."
I cannot remove him.
And he will not stop putting his mouth on my projects.
[ a pause. ]
Alternatively, you may answer this inquiry:
Where is Cross Marian?
I require assistance.
My database lacks references for proper maintenance of this creature.
His classification is "golem."
I cannot remove him.
And he will not stop putting his mouth on my projects.
[ a pause. ]
Alternatively, you may answer this inquiry:
Where is Cross Marian?
no subject
I could have walked, you know, my legs aren't what's broken. I'm not a whimpering little wriggler who needs to be carried from place to place. I'm hard-core, Danger. I can deal.
[ he pauses. ]
You know when everyone vanished off the face of the universe for a while, at the end of last month?
no subject
I merely thought it was more efficient than watching you limp.
[ she doesn't say it in a cruel way-- just matter-of-fact. despite that sulky look, she only sets him down once they're in the cool quiet safety of the x-club labs in the basement. it's a mess of cluttered workbenches and half-built machines. timcampy can be heard rooting around somewhere, probably eating up scrap metal. ]
I recall the incident you are referring to, yes.
What is its relevance to your current state?
no subject
Putting aside the many other migraine inducing grievances the setting presented me with, one after another, it was basically an unmitigated shower of aggravation boons -- there was one big issue with the setting we were abandoned in, which was the fact that you can't take a quiet walk along the fucking pier without a gigantic mutant shark erupting out of the water and attempting to devour you. [ he raises one shoulder in a half-shrug. ] A gigantic mutant shark that was also actually a Skrull.
no subject
at length, she reaches out and briefly ruffles the hair on top of his head, between his horns. it's probably a gesture she'd seen in some media somewhere and filed away under "affectionate" or "comforting." out loud: ]
In my experience, situations involving gigantic mutant sharks are ordinarily inconvenient.
Regardless, the Skrull does not seem to have been able to kill you.
That is what you would call the silver lining, isn't it?
no subject
Yeah, it obviously didn't kill me. The whole dimension hopping thing was annoying, but it's not what I came here to tell you about.
no subject
I am listening.
Tell me what you came to tell me, Karkat Vantas.
no subject
Okay, but first of all, you can't tell anyone about what I'm about to tell you, alright? It's my responsibility, how this gets out.
[ a pause. he brings one hand up to his face, pressing the heel of his palm into one of his eyes. ]
Well, there was some other stuff that happened in February, but that was pretty common knowledge. Everyone went crazy and turned into monsters and I was one of them, the end. The important thing that you have to keep a secret is-- [ another pause, heavy with reluctance. ]
Gamzee's Ported out.
no subject
at length, finally, with a quietness that makes the mechanical hum of her voice more obvious: ]
I am sorry, Karkat.
I will miss him greatly.
And I will keep your secret under all circumstances.
no subject
[ it's genuine, honest, no hint of irony or sarcasm. it's unclear what he's thanking her for; her condolences, that she'll miss him, her promise -- probably because he's grateful for all three. ]
He might still come back, anyway.
no subject
another moment passes, then she reaches for something and her hands get back to work, even with her attention lingering on karkat. ]
That possibility will always exist, yes.
[ she approaches finally, pressing something into his hands. it's a small animal of some kind, a goat maybe, though the horns are a bit long-- abstract, made out of carefully twisted wire. a gift, meant to comfort. ]
In the meantime, I am available to you, should you require my friendship.
UGH DANGER YOURE GONNA MAKE HIM CRY
karkat has to swallow the lump in his throat before he can trust himself to talk. ]
Yeah. [ he looks up from her gift, back at her face. ] Thanks, again. It means a lot to me. You're like, the only one I could tell about this.
k-karkat... ’ ᵔ ’
it might not show in her expression, but a part of her is moved. ]
I will not betray your trust.
And I will not leave you.
no subject
she can't know how much he's needed something like this, since the beginning of february. ruka had helped, but even ruka had her caveats. the solid, simple promise danger gives is what he's been craving; no catch, no fine print. it just is.
the wire goat disappears into his sylladex for safe keeping. ]
I won't, either. Leave you or betray you, I mean. [ the tremor in his voice embarrasses him; he opts to redirect the subject. ] How have things been on your end?
no subject
it's that feeling that keeps her other, more turbulent emotions at bay whens he responds to his question: ]
I am unsure.
I have been discontent.
Things between Madison and I are not as I expected they would be.
no subject
no subject
His wife preoccupies him.
I can feel it, across our techno-mental link.
no subject
You lost me at "wife". You're going to have to explain this one to me. What do you mean, techno-mental link, don't tell me that's exactly what it sounds like.
no subject
The person I love is married to a human woman.
She has been seeking him out, and he thinks of her often.
I am aware of this because our minds are linked together.
And I can sense the feelings he has for her.
[ her voice influxes very little-- but there's a vague discontent in her face she can't hide. ]
I believe the emotion I feel in these circumstances is "jealousy."
But I unsure.
no subject
no subject
However, the situation is more complicated than it appears.
In our universe, Lillian is dead at the time from which the Porter chose Madison and I.
[ she's explaining it like you might explain any number of academic subjects, but knowing what she's saying is true doesn't help quell the trickle of discontent. she goes on, after a moment: ]
Obviously, she is not dead now.
no subject
no subject
I believe you, and I acknowledge the practical truth of what you are saying.
However, as inclined as I feel towards violence or termination of our relationship as a solution, it is more difficult in practice.
I am very in love with Madison Jeffries.
no subject
Well, I was actually being facetious about the violence thing, but you still shouldn't stand for something like this. You can do better, Danger.
no subject
I am unsure if that is a factual statement.
Because I'm a machine, I do not connect well with most humans.
And because I surround myself with humans, I am unfamiliar with my own kind.
[ a brief pause, then something she hasn't really said out loud to anyone so plainly before: ]
I do not wish to be alone again.
no subject
(no subject)