ᴘsychopomp 💀 (
glowsferatu) wrote in
capeandcowl2013-05-30 12:15 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
022 ♍ video ♍ yes this is during school hours
[ the scene opens on the desk in kanaya's room, with her sitting behind it. on top of it is a book turned upside down, the cover showing a large man caressing the leg of a woman mostly out of the frame. loose ends, by c.m. guarde, and kanaya seems to be already halfway through it. next to it is a water bottle half-full of a thick, red liquid.
the curtains are drawn, and the only light in the room seems to be coming from her. she has her chin propped up in her hand, and her eyes are heavily lidded, not as made-up as usual. she hasn't left her room all day except to buy this book. ]
It's funny, isn't it. The things one will do out of a hope for love. How much one will ignore, and agonize over, and consciously blind herself to. It comes to a point where you have to wonder whether Kristof is even worth the effort, but nonetheless, Nora makes no sign of relenting. She believes because she has to, and maybe if it should end in the worst possible manner, she will find a way through it still, to remain with the one she loves.
There's something beautiful in that. Tragic, perhaps, but still meaningful. And maybe it that which keeps drawing me back to the series. If Kristof could have someone to love him so much, could there be hope for the rest of us?
[ she turns the book back over, raising an eyebrow at the text. ] But it's still only fiction. That may ultimately be an unfair expectation of the world.
[ she slides over her bottle to take a quick sip from it. ]
Is anyone else reading these?
the curtains are drawn, and the only light in the room seems to be coming from her. she has her chin propped up in her hand, and her eyes are heavily lidded, not as made-up as usual. she hasn't left her room all day except to buy this book. ]
It's funny, isn't it. The things one will do out of a hope for love. How much one will ignore, and agonize over, and consciously blind herself to. It comes to a point where you have to wonder whether Kristof is even worth the effort, but nonetheless, Nora makes no sign of relenting. She believes because she has to, and maybe if it should end in the worst possible manner, she will find a way through it still, to remain with the one she loves.
There's something beautiful in that. Tragic, perhaps, but still meaningful. And maybe it that which keeps drawing me back to the series. If Kristof could have someone to love him so much, could there be hope for the rest of us?
[ she turns the book back over, raising an eyebrow at the text. ] But it's still only fiction. That may ultimately be an unfair expectation of the world.
[ she slides over her bottle to take a quick sip from it. ]
Is anyone else reading these?
no subject
no subject
no subject
Things being as they are, perhaps where you are is the best place to prevent a recurrence.
no subject
no subject
no subject
no subject
no subject
Right.
no subject
no subject
no subject
no subject
Don't fucking lecture me, Kanaya.
no subject
no subject
no subject
This isn't the time for the rebellious "this is me, take it or leave it" screed. Obviously, the social context you tried to pull it off with decided to take a third option, and you should too. This is the time to reevaluate, reflect on what out you in these circumstances, and do what you have to to not have them repeated.
For heaven's sake, listen to yourself! "Nobody's asking you to like it." It's been made incredibly clear how little anyone does. So grow the fuck up already and start taking your situation seriously.
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)