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[MAN, THAT SURE IS AN OBNOXIOUS RUCKUS BEING TRANSMITTED BY THIS COMMUNICATOR RIGHT NOW. the actual video component of this post is largely taken up by a super interesting view of the ceiling, which presumably is the result of it turning itself on after hitting something. the way shadows, and occasionally even actual objects, pass across the feed leaves little doubt as to the reason why it might have hit something -- whoever's causing all the crashing sounds and flying junk must have done the same with their communicator.
whoever that might be, she is also talking! the accent might be vaguely familiar, but it's very high-pitched, and quite possibly more articulate than usual.]
--and I know you're there! 's not funny anymore. So just come out now, okay? Come on, I promise I won't even kick you. Atsuko!
[there's a pause in the little girl's speech, and the sound of more shit getting knocked off tables and thrown places. a ridiculous turquoise bra arcs up over the camera, then falls over it, blacking the feed out; judging from the background noise, however, she continues to rummage through the contents of the room. as she continues to speak, her voice gets louder and louder, presumably because she's getting closer to the communicator.]
... it's all so ugly! Who wears this? An' what's the point of all the leather, huh? Why would you -- what's that? Hey!
[AND THE BRA IS GONE AGAIN]
Oi -- you! I know what security cameras are, stupid. Don't play dumb and think that kinda thing gets past me!
[there's a little girl glaring, upside down, at the camera, and if anything about her is really recognizable, it's the scowl she's wearing -- Michiko's future coarse bravado is written large on her face. since she appears to be around 9, this mostly makes her look kind of ridiculous.]
I don't know where I am. Don't know who you are either, but that don't matter, cause I know what's going on here. You think I was born yesterday? I know that old hag sold me to you to keep me quiet! 's not gonna work, though, so you can just forget all about it. An' you better let me go and send me back to Vermelha, or I'll -- I'll put you on the express train to hell! [suddenly her eyes light up with inspiration, and she rushes offscreen, her voice getting smaller with the distance.] And I'll start with this shitty place!
[after the sounds of more rummaging and hurried footsteps, a small hand thrusts an ornate lighter at the camera.]
You see that? You bastards don't let me out of here, this whole thing goes up in flames! It's a promise.
whoever that might be, she is also talking! the accent might be vaguely familiar, but it's very high-pitched, and quite possibly more articulate than usual.]
--and I know you're there! 's not funny anymore. So just come out now, okay? Come on, I promise I won't even kick you. Atsuko!
[there's a pause in the little girl's speech, and the sound of more shit getting knocked off tables and thrown places. a ridiculous turquoise bra arcs up over the camera, then falls over it, blacking the feed out; judging from the background noise, however, she continues to rummage through the contents of the room. as she continues to speak, her voice gets louder and louder, presumably because she's getting closer to the communicator.]
... it's all so ugly! Who wears this? An' what's the point of all the leather, huh? Why would you -- what's that? Hey!
[AND THE BRA IS GONE AGAIN]
Oi -- you! I know what security cameras are, stupid. Don't play dumb and think that kinda thing gets past me!
[there's a little girl glaring, upside down, at the camera, and if anything about her is really recognizable, it's the scowl she's wearing -- Michiko's future coarse bravado is written large on her face. since she appears to be around 9, this mostly makes her look kind of ridiculous.]
I don't know where I am. Don't know who you are either, but that don't matter, cause I know what's going on here. You think I was born yesterday? I know that old hag sold me to you to keep me quiet! 's not gonna work, though, so you can just forget all about it. An' you better let me go and send me back to Vermelha, or I'll -- I'll put you on the express train to hell! [suddenly her eyes light up with inspiration, and she rushes offscreen, her voice getting smaller with the distance.] And I'll start with this shitty place!
[after the sounds of more rummaging and hurried footsteps, a small hand thrusts an ornate lighter at the camera.]
You see that? You bastards don't let me out of here, this whole thing goes up in flames! It's a promise.